Storefront City London

Archive for the category “Festivals”

Tulleys Shocktober Fest 2019

WHAT: Tullys Shocktober Fest
WHEN: 4 October – 2 November, 2019
WHERE: Tulleys Farm (Turners Hill Road, Turners Hill, Crawley, West Sussex, RH10 4PE)
PRICE: £12-150

OUR RATING: Do It!

Storefront City is back from hiatus and what better way to kick off our return than to review a scare attraction celebrating our favourite holiday of the year – Halloween.

The last time we reviewed a haunted attraction was Thorpe Park’s Fright Nights. It’s good to know before you continue to read our review that as producers of immersive haunts ourselves and avid haunt-goers when we lived in the US, we have relatively high expectations and aren’t super easy to scare – although we try to put ourselves in the zone no matter the haunt!

Tulleys Shocktober Fest, with its wealth of history and huge playing space, is a must to visit with TEN haunts – eight scare mazes, a haunted hayride and a circus act.

We attended early in the season in the haunt’s second week of operation on a weekday. Since we absolutely had to experience every single maze, we arrived super early. The mazes open half an hour after the park itself does, which gives you time to walk around and get a feeling for the place. The park has a really smart flow as you go from haunt to haunt and encounter bars, food stalls, rides, and live music stages, with the smell of bonfires comforting you along the way. There are also really convenient boards that display live queue times, but on the night we went the queues were only between 5 and 20 minutes long. We were worried for no reason!

The Park has a truly spooky atmosphere – roaming characters who convey a rich mix of creepy and humour. Now for the haunts:


The Cellar
Our Scare Factor: 7/10
Atmosphere Rating: 8/10

“Those that dwell in the Cellar have not been forgotten.

We had read that The Cellar was one of the best and scariest haunts, so we decided to beat everyone to it and get to it first. This haunt was highly detailed and themed (the dank, miserable interiors oozed with terror), with interim rooms just as interesting as the main rooms, which really explored what you can do with different sized spaces. While we ultimately didn’t think it was the scariest maze we’ve ever been to, it was definitely one of the scariest at the park.


Twisted Clowns
Our Scare Factor: 6/10
Atmosphere Rating: 8 or 9/10

“The Clowns are here as you expected. An unhappy band of souls neglected. ”

We were very wary of the concept of a 3D maze, but man did we misjudge this maze from the outside! The 3D glasses you are given help the UV paint pop, making both the images and the actors jump out of nowhere. The rooms are slanted with a great funhouse feel. This also had one of the best executed Spin Tunnels we’ve ever experienced because the UV paint and 3D glasses really did make you feel like you were dizzily floating in space. The only downsides to this maze was that it was a bit too short and that it missed out on a few classic funhouse themed tricks we’ve seen before, but ultimately this was super memorable. Not for coulrophobia sufferers!



Wasteland Penitentiary
Our Scare Factor: 5/10
Atmosphere Rating: 5/10

“Beyond the explosion ripped through the world, bringing an end to civil life.”

When we first approached the outside of this haunt we were kind of blown away (some entrances weren’t themed at all, which was a really strange inconsistency in the park). There was even a real blacksmith working away on one side of the apocalyptic wasteland space while characters roamed around. However, the haunt itself was extremely underwhelming and one of our least favourites. But if you like a haunt that’s basically prison bars along most of the way with lots of banging about, strobe lights, and loud metal music, maybe this is for you.


The Wreckoning
Our Scare Factor: 5/10
Atmosphere Rating: 9/10

“These are stranded souls who have sunk to the depths of despair & depravity.”

For the first minute or two of the maze we were a bit underwhelmed and really – what’s so scary about adventure music and pirates? But suddenly around halfway through the maze the entire world opened up and the set design was ramped up to the extreme. The maze was absolutely gigantic with lots of very beautiful little worlds and some really fun floor elements – definitely one of our favourites. Certain to shiver your timbers!


The Chop Shop
Our Scare Factor: 4/10
Atmosphere Rating: 2/10

“You better be careful now, Billy-Bob is real handy with a reconstruction.”

Maybe this was a bit of a self-fulfilled prophecy; we went into this haunt with low expectations and luckily so as it wouldn’t have lived up to any. The maze pretty much consisted of just white walls and fake blood and chainsaws. It was a relatively short scare – the scariest part was how real the chainsaws were but that’s really about it. Our favourite part of this maze was the full grown bloke behind us, terrified to get away from the chainsaws as quickly as possible.


VIXI
Our Scare Factor: 5/10
Atmosphere Rating: 5/10

“A torturous, painful and tormented moment before finality.”

During this haunt a black hood is placed over your head to encourage the idea of sensory deprivation. It was a good idea in concept, but not as well executed as we hoped. It was a relatively short haunt and didn’t really touch on many teases to the senses – there were some smart choices and nice experiences but really – nothing at all to play with the sense of smell? What? It just missed one too many tricks for us. 


The Village Coven of 13
Our Scare Factor: 6 or 7/10
Atmosphere Rating: 9/10

“A witch confirmed, tried and convicted; Death upon her was afflicted.”

Just wow – what a great atmosphere to this! Lovely woods and trees and then this absolutely riveting and somewhat terrifying trick they use with lasers and fog to make it look like the witches are emerging out of water to come and attack while you struggle through the set as if trying to swim away. Very surreal and very beautiful. An extremely effective atmosphere and use of the woodland spaces and a very nice change from the white wall interiors of some of the other mazes. Some of the actors really understood how scary quiet creepiness can be too, another nice change from all the banging and screaming.


Creepy Cottage
Our Scare Factor: 1/10
Atmosphere Rating: 3/10

“The occupants of this house would like you to stay for a very long time.”

We were warned in other reviews that this was the least exciting haunt, and those reviews were definitely right. There were some nice and creepy sounds and voices and a nice sensory trick but that was about it apart from some skeletons. Probably a good one for those first starting out though!


Circus of Horrors
Our Scare Factor: 3/10
Atmosphere Rating: 5/10

“Blending horror and burlesque with bizarre acts and live rock music.”

We actually attended a full performance of Circus of Horrors when they were in London. Gothic, crazy, and consisting of unusual feats of (impaling) swordsmanship, we liked the aesthetic, but some of their acts are most certainly gruesome indeed!


Haunted Hayride
Our Scare Factor: 5/10
Atmosphere Rating: 8 or 9/10

“Explore the abandoned backlot at the Horrorwood Film Studios.

An absolute must when you visit – it may not be the scariest experience, but there are definitely moments, and the acting is probably some of the best in the park. Fun, unexpected, and full of thrills, there are lots of great set pieces and a ton of interaction with set pieces and actors, with a lovely balance between creepiness and humour. We especially loved the scarecrow and pumpkin men set pieces and the actors who didn’t approach the tractor but instead stared at us from afar. There is also a hilarious and random ending with some nuns you’ve got to see to understand…or not understand….but funny to the extreme!

Summary: Go! Go with friends, go for a deadly night out, take your time exploring the whole park. Definitely go and see the clowns, witches and pirates and go for a nice hayride. Indulge in some not-too-expensive treats like choco-kebabs, fancy mac and cheese, or lots of other options in street food. Go go go, it’s the perfect combination of scary and fun – a great night out!

P.S.: For some more haunting fun, check out our review of Thorpe Park Fright Nights.

*All quotes and images credit Tullys Shocktober Fest

London, Underground

vaults2WHAT: London, Underground
WHEN: February 28 & March 1, 2014 (10:30pm-3am)
WHERE: The Vaults, Waterloo (Leake Street, SE1 7NN)
WHO: The nabokov Arts Club
PRICE: £15 (Advance) – £18 (Door)

OUR RATING: Do It!

vaults1

Welcome to VAULT, a six week festival of arts and entertainment (Jan 28 – Mar 8) produced by the Heritage Arts Company in the labyrinth of tunnels and caverns underneath Waterloo Station. And then there’s Vault LATES, late night events Thu-Sat that vary anywhere from silent discos to burlesque debauchery and even some Mardi Gras celebrations.

Storefront City helped The nabokov Arts Club celebrate their 5th Birthday at VAULT Festival last night at London, Underground, a two-night extravaganza of live art. You can celebrate too if you get down underground tonight beneath Waterloo Station. It’s time to explore!

Adam: Lights string into the depths of the passageways that make up the vast edifice which is The Vaults. Striking out into the the chaotic milieu of plays, live music and revellers, its easy to get lost in the fantasy world beneath the concrete of London’s streets. Alternative, yet not threatening, London, Underground provided a veritable playground for the artistic spirit within all of us. The heads of Guardsmen with neon skin tones give you a royal honour guard whenever you walk the main hall, whilst innumerable clouds waft overhead in The Light Bar. Smaller venue alcoves line the tunnel, so go ahead and take your pick!

2014-03-01 01.13.27Starting with “The Pit”, the first alcove to your left upon entry, I was delighted to be treated to two plays. First up was Plums by Luke Barnes, which brings you the story of two lovers whose hidden secrets are both touching and disturbing. This was followed up by This Isn’t A Thing, Right by Lolly Jones, a tale of sexual comfortability, longing and luck. While very well received by the audience (Lolly Jones is currently a viral video star), I didn’t connect with the piece as well as I would have liked.

Unfortunately, we missed the headline act, 3RUN vs Bellatrix, an immersive free running and beatbox experience, which was very disappointing. This is due mainly to signage within The Vaults, which was few and far between, with Storefront City only discovering the small runsheet once the headline performance was over. Perhaps this is in keeping with The Vaults eclectic and immersive styling, but further signage and direction in future would be helpful.

King Porter Stomp

King Porter Stomp

Alicia: Live theatre, music, cabaret, comedy, poetry and visual art explode underground, all mashed together in an extreme balance of intimate performance and all-out party. If you don’t feel like sitting down and watching one of the many live performances and instead want to take advantage of a wild and crazy weekend night, enter The Light Bar for all your live music needs. Earlier on in the night you can get low with Dizraeli & Downlow’s hip-hop set, or later you can experience live funk, ska, dub and hip hop from King Porter Stomp, an 8 piece blend of horns, heavy bass and lyrics. As the night goes on and the party gets kicking, the whole venue sets its sights on the last act of the night, a DJ set by the Mystery Jets.

Yet the highlight of the night was Symphony, a collaboration with new writing company nabokov and playwrights Ella Hickson, Nick Payne and Tom Wells, which has been playing in The Vaults since Feb 18. Theatre meets live gig in The Cage with 3 short plays, a mix of stories told through music and spoken word, directed by Joe Murphy with music by Ed Gaughan, and with amazingly talented performances by Remy Beasley, Jack Brown, Iddon Jones and Adam Sopp.

Symphony

Symphony

The format is unique, yet inviting, with the audience ushered into a room of musicians. But when the door closes behind you, the simple gig transforms a fusion of plays and songs, an electric synthesis of mediums that mimics the varied talents and fluctuating roles of the four performers. We were drawn into all three of their pieces on the night (one of the reasons we missed out on 3RUN  and Bellatrix), including Jonesy by Tom Wells (a tumultuous and hilarious vignette of an asthmatic teenage boy in P.E.), A Love Song for the People of London by Ella Hickson (a tale of unrequited love and awkward meetings on public transport) and My Thoughts On Leaving You by Nick Payne (a story of relationships and mistakes, with the requisite amount of alcoholic declarations of love, sombreros and bathroom stall hookups). If I wouldn’t have known the background to the performance, I would have assumed this quartet had always been an ensemble and that the pieces were all created by them. The sets were amazingly cohesive, and the performances both charming and intoxicating.

Final Thoughts: Awesome venue? Check! Live arts? Check! Fantastic night? Double Check! London, Underground is just the kind of event the city needs more of, so get there before it closes so you can be part of the experience.

P.S. Can’t make London, Underground? Or perhaps the ticket price is a little steep for you? Not to worry! Tickets to other shows are as little as £7.50, and you can even stop by Tuesday and Wednesday nights for free live music and comedy.

Salon du Chocolat

WHAT: Salon du Chocolat
WHERE: Olympia National Hall, Hammersmith Road, W14 8UX
WHEN: 18-20th October, 2013 (Internationally Touring)
PRICE: £12-18

OUR RATING: Skip It! (Unless a chocolate professional)

Salon du Chocolat, serving as the grand finale of Chocolate Week UK, has been wowing crowds since 1994, when it was inaugurated in Paris as the central trade show of the chocolate industry. Supported by the French Ministry of Foreign Affairs, the Salon has been held in many world centres, including New York, Tokyo and Moscow. This time it was London’s turn, but for such a renowned show we were left with a somewhat bittersweet experience.

Adam: I am not an expert on chocolate. Don’t get me wrong, I love it – especially in its extremely dark varieties – but in terms of my culinary education, it was always relegated to the desserts, which meant preparation rather than content was key. That being said, I am an expert in showmanship and how events should be organised and, unfortunately, for an internationally important trade show, Salon du Chocolat London lacked the spirit which such an affair should certainly have in abundance.

Vendors seemed spread rather thin on the ground and most were less than enthused to be there. I wasn’t sure whether this was because of snobbery or their own boredom, but generally my experience of trade shows includes vendors hustling to gain your attention and educating you about their wares. Unfortunately, not many people seemed interested in talking with us, nor did they want us to try their chocolate – which is quite frankly bizarre, considering we were emblazoned as press.

That being said, I did manage to sample enough chocolates to give you the following delicious little factoids. Enjoy!

House of Dorchester

House of Dorchester

House of Dorchester
House of Dorchester are a British chocolatier based in Dorset. Founded in 1963, their focus appears to be mints – great for after dinner, as always! Their Milk Mint actually tasted quite similar to an Andes brand mint, a little more subtle on the chocolate, perhaps, but an Andes mint all the same. Dark Mint consisted of a hard white shell filled with dark chocolate, while the White Mint was a dark chocolate shell filled with white peppermint. Honestly, the major failing of all these chocolates in the preponderance of mint. The White Mint especially, these might as well have been labelled mints for all the chocolate in them.

Benoit ChocolatesBenoit Chocolats
Benoit Chocolats, founded 1975, are typically French, with a twist. Their speciality is caramandes: chocolate roasted almonds and caramel. Like a luxurious version of a Heath bar, but far more crunchy – a definite winner.

Valhrona ChocolatesValrhona: Lait Bahibe
Valrhona is a chocolate that you can pick up most anywhere in the world, yet its luxury should not be under-appreciated. Founded in 1922 in France, it has been using chocolate sourced from the best locations throughout its illustrious history. This 46% cacao milk chocolate is from the Dominican Republic, thus allowing for the single estate flavour to permeate through the entire product. But, let’s be clear: when you open a Valrhona, you already feel like you’ve won a golden ticket – beautiful packaging, interesting bar design and containing one of the best milk chocolates out there, Valrhona Lait Bahibe is a special treat.

Fudge KitchenFudge Kitchen
OK, it might not be chocolate, but fudge was a culinary delight on offer at the Salon. Fudge Kitchen has outposts throughout England and Scotland and even delivers from their website. I tried their vanilla fudge, which was extremely creamy and deliciously sensual – not your average hard fudge!

Chocololo: Pink Dusting
This dark chocolate enrobed bitter salty caramel is produced by Chef Laurent Rossi and is, honestly, just alright. The name is quite catchy though, so he wins points for marketing, but you’ve got to make your product stand up the scrutiny after its purchase as well as before.

Alicia: Unfortunately, Adam and I did not have to opportunity to partake in some of the bigger showpieces of the Salon, including their hands-on workshops and London’s first ever Chocolate Fashion show. What’s unique about the show is that because of the materials in use (uh, chocolate!) and the transit difficulties, each fashion show features the work of local designers and chocolatiers, making each show unique. Fortunately, they had several of the garments on display prior to the show, so we did get a few glimpses. Yet while some were interesting conceptually, I have to admit I was ultimately pretty let down by most of them.

Fortunately, despite this and the awkwardness of the convention as a whole, and with quite a bit of elbow work, we were able to sample from quite a few chocolatiers, with a few mentioned by Adam above. In addition to these, I thought I’d give my own feedback on a few others that graced our palettes.

=+ Cocoa Runners
Mini Chocolate Bears: 70% dark chocolate from Peru, made by The Chocolate Tree. The chocolate has a deep roasted flavor with some black tea notes. Despite their milk chocolate-esque aesthetic, the chocolate was actually deliciously very bitter.

2013-10-18 17.27.47Demarquette
House Chocolate Squares: 71.1% cocoa. Just plain ol’ regular chocolate, nothing unique really.

ChocoPassion's Paintbrush

ChocoPassion
Dozens upon dozens of different shapes and works of art in chocolate. We sampled their Paintbrush shape – you could even feel the bristles! Great dark chocolate.

Divine Chocolates

Divine Chocolates

Divine Chocolate
Owned by the Kuapa Kocoo cocoa farmers’ co-operative, our favorites over at Divine Chocolate was one of their newer flavored bars, 70% Dark Chocolate with Chilli and Orange, and their 70% Dark Chocolate with Ginger and Orange. Yum!

Iain Barnett: The Highland Chocolatier
We sample a few of their intricately and beautifully designed truffles. We started with their strawberry truffles (pure fruit coulis ganache infused with star anise) which wasn’t very strawberry-ish and actually tasted more like cherry. We then went onto an unnamed chocolate, which we thought to be dark chocolate and chilli, which was bitter and rich. Their lime truffle was my favorite (tangy lime crushed over white chocolate with a hint of chilli), the only thing was we couldn’t really taste the chilli. And finally there was Adam’s favorite, a chai truffle (creamy infusion of Assam tea and green cardamom), a really interesting tea chocolate that left a wonderful spiciness.

Final Thoughts: Salon du Chocolat hits New York in November 2014, and we suggest that if you are a chocolate professional, this may be one of the best ways to not only taste and buy artisan and specialty chocolate, but to also meet and learn from industry professionals, locally, nationally and internationally. But if you’re a simply a chocolate lover, it is just not worth it to pay admission and then have to pay for basically everything else provided, unless you want to spend hours upon hours listening to marketing demonstrations on the stages. Your money would be better spent sampling at some of your local hidden gem chocolate shops. Every city has one, and the ambience of any of those have to be better than the stale and pretentious atmosphere of this convention.

P.S.: For an excellent chocolate experience in Dublin, check out our recent post about Butlers Chocolates over at Storefront City Destinations.

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